Please indicate ideal dates and event budget in your inquiry.
Alan has performed multimedia poetry at universities, museums, and stages across the U.S. and abroad including Columbia, Harvard, Stanford, the Museum of the African Diaspora, the Museum of Latin American Art, Université Cheikh Anta Diop de Dakar, Universität Duisburg-Essen and elsewhere. Alan’s poetry centers on themes of undocumented im/migration, mourning as a framework of anti-colonial struggle, trans existence, and sci-fi futures.
Their poetry readings range between 20 to 40 minutes and they are accompanied by community dialogues.
Art as Civil Disobedience: Artists are often taken-for-granted contributors to social movements. In this artist talk, Alan Pelaez Lopez will share their experience as a young undocumented, Black queer organizer in the migrant justice movement. They’ll talk about the ethics of storytelling, why stories matter, and the dangers that exist when allies become surrogate storytellers for communities they are not a part of. This talk features Pelaez Lopez’s artistic contributions to various social movements while also highlighting five currently and formerly undocumented Black migrant artists.
Permission to Mourn: What happens when artists are forced to leave their countries? What happens when artists cannot legally travel to say goodbye to elders before they pass onto the ancestral realm? This talk takes audiences through the journey of utilizing art as a process to mourn and grieve places, people, and other living and nonliving organisms.
N[EG]ATION: In Feb 2023, the doors to Alan Pelaez Lopez’s solo exhibition “N[EG]ATION” (pronounced Nation Negation) opened at Harvard University. This artist talk addresses Alan’s solo show, especially the interactive graveyard installation that invited Latin American and Latinx attendees to imagine a future outside of nation-states. In the installation, the artist provided 100 cotton flags for attendees to take and write an anxiety, political commitment, and/or a statement they wanted to offer that addressed both the end of nations and an assumed united Latinx community. In this artist talk, Alan addresses the radical potential of anti-patriotic futures by sharing the flags produced by Latin American and Latinx gallery attendees.
Latinidad is Cancelled: In this hybrid keynote and conversation, Alan Pelaez Lopez talks about their social practice project, Latinidad is Cancelled (2018). Though often misquoted on social media, Latinidad is Cancelled is an artistic approach developed by Alan to image futures where all people of Latin America and its diasporas are no longer forced into a single-dimensional narrative. Alan’s use of Latinidad is Cancelled stems from the 2015 practices of Black Twitter where Black Twitter users across international borders began to cancel frameworks, companies, art, and other Twitter accounts that were inherently detrimental to Black futures. “Cancel culture” for Black social media users has its roots in protecting digital spaces from the everyday encounters of anti-Black violence experienced in in-person spaces. “Cancelling” has since been co-opted by non-Black new media users who are often the perpetrators of the anti-Black violence that “cancelling” by Black social media users tried to combat. This talk explores nuanced criticism spearheaded by Black cultural workers in Latin America and the Caribbean and Black Latinx cultural workers in the United States.
Other keynotes by request, please write with the proposed theme and/or keywords.